Tag Archives: life

Dire Straits - Walk of Life - Video Clip and Lyrics

 
Walk Of Life is country’s feeling music. When I hear this I would like to dance and take a good whisky.

This Music appeared in the Brother in Arm’s album. This Album was the first in the Billboard in 1984.

The music story moving around the life and how should you live you life easy and without too much stress. So, this is a really country song from the Dire Straits. I like it very much. If you have time listen the Walk Of Life. You will get a better feeling in whole day.

IF YOU WANT TO LISENT THIS FANTASTIC MUSIC, SEE THE VIDEO AND READ THE LYRICS, YOU WILL FIND TOGTHER BELOW

Here comes johnny singing oldies, goldies
Be-bop-a-lua, baby what I say
Here comes johnny singing I gotta woman
Down in the tunnels, trying to make it pay
He got the action, he got the motion
Yeah, the boy can play
Dedication devotion
Turning all the night time into the day

He do the song about the sweet lovin woman
He do the song about the knife
He do the walk, he do the walk of life

Here comes johnny and hell tell you the story
Hand me down mu walkin shoes
Here come johnny with the power and the glory
Backbeat the talkin blues
He got the action, he got the motion
Yeah, the boy can play
Dedication devotion
Turning all the night time into the day

He do the song about the sweet lovin woman
He do the song about the knife
He do the walk, he do the walk of life

Here comes johnny singing oldies, goldies
Be-bop-a-lula, baby what I say
Here comes johnny singing I gotta woman
Down in the tunnels, trying to make it pay
He got the action, he got the motion
Yeah the boy can play
Decidation devotion
Turning all the night time into the day

And after all the violence and double talk
Theres just a song in the trouble and the strife
You do the walk, you do the walk of life

 


Dido - Life For Rent - Video Clip and Lyrics

 

I haven’t ever really found a place that I call home
I never stick around quite long enough to make it
I apologize that once again I’m not in love
But it’s not as if I mind
that your heart ain’t exactly breaking

It’s just a thought, only a thought

But if my life is for rent and I don’t learn to buy
Well I deserve nothing more than I get
Cos nothing I have is truly mine

I’ve always thought
that I would love to live by the sea
To travel the world alone
and live more simply
I have no idea what’s happened to that dream
Cos there’s really nothing left here to stop me

It’s just a thought, only a thought

But if my life is for rent and I don’t learn to buy
Well I deserve nothing more than I get
Cos nothing I have is truly mine

If my life is for rent and I don’t learn to buy
Well I deserve nothing more than I get
Cos nothing I have is truly mine

While my heart is a shield and I won’t let it down
While I am so afraid to fail so I won’t even try
Well how can I say I’m alive

If my life is for rent and I don’t learn to buy
Well I deserve nothing more than I get
Cos nothing I have is truly mine

If my life is for rent and I don’t learn to buy
Well I deserve nothing more than I get
Cos nothing I have is truly mine
Cos nothing I have is truly mine
Cos nothing I have is truly mine
Cos nothing I have is truly mine


Bon Jovi - It’s My Life - Video Clip and Lyrics


This ain’t a song for the broken-hearted
No silent prayer for the faith-departed
I ain’t gonna be just a face in the crowd
You’re gonna hear my voice
When I shout it out loud

[Chorus:]
It’s my life
It’s now or never
I ain’t gonna live forever
I just want to live while I’m alive
(It’s my life)
My heart is like an open highway
Like Frankie said
I did it my way
I just wanna live while I’m alive
It’s my life

This is for the ones who stood their ground
For Tommy and Gina who never backed down
Tomorrow’s getting harder make no mistake
Luck ain’t even lucky
Got to make your own breaks

[Chorus:]
It’s my life
And it’s now or never
I ain’t gonna live forever
I just want to live while I’m alive
(It’s my life)
My heart is like an open highway
Like Frankie said
I did it my way
I just want to live while I’m alive
‘Cause it’s my life

Better stand tall when they’re calling you out
Don’t bend, don’t break, baby, don’t back down

[Chorus:]
It’s my life
And it’s now or never
‘Cause I ain’t gonna live forever
I just want to live while I’m alive
(It’s my life)
My heart is like an open highway
Like Frankie said
I did it my way
I just want to live while I’m alive

[Chorus:]
It’s my life
And it’s now or never
‘Cause I ain’t gonna live forever
I just want to live while I’m alive
(It’s my life)
My heart is like an open highway
Like Frankie said
I did it my way
I just want to live while I’m alive
‘Cause it’s my life!


Scorpions - The Game Of Life - Video Clip and Lyrics


Scorpions live 12/08/2007 boxing fight in Basel King Arthur Abrahams vs Wayne Elcock

The time has come
For me to talk to you
And I don’t mean
To hurt your pride
But everybody needs a friend sometimes
To make you see the light

In the game of life
The strong survive
We’re on a one-way street
We gotta make it out alive
And never let ‘em drag us down
In the game of life
We live and die
Another breath begins
Another chance to win the fight
From the moment that you hit the ground
In the game of life

You’re born to hunt
And never run away
And then you’re hunted
By the prey
The wounded deer
Leaps highest to the sun
Until his day is done

In the game of life
The strong survive
We’re on a one-way street
We gotta make it out alive
And never let ‘em drag us down
In the game of life
We live and die
Another breath begins
Another chance to win the fight
From the moment that you hit the ground

Here comes the morning
It’s time to play
The game of life
The game of life

In the game of life
The strong survive
We’re on a one-way street
We gotta make it out alive
And never let ‘em drag us down
In the game of life
We live and die
Another breath begins
Another chance to win the fight
From the moment that you hit the ground
It’s the game of life
The game of life


Anastacia - One Day In Your Life - Video Clip and Lyrics


I know
that’s just the way it goes
and you ain’t right
for sure
you turned your back on love
for the last time
it won’t take much longer now
time makes me stronger, well
there’s nothing more to say

One day in your life
said love would remind you
how could you leave it all behind
one day in your life
it’s gonna find you
with the tears that left me cry
and baby I’m stronger then before
you gotta play it on the line
maybe one day in your life

My love
did you think I’d break down
and cry
this thing we had
it mean the world to me
guess I was blind
it won’t take much longer now
see time makes me stronger, well
and I know you’ll be coming round some day

One day in your life
said love would remind you
how could you leave it all behind
yeah
one day in your life
it’s gonna find you
with the tears that left me cry
and baby I’m stronger then before
you gotta play it on the line
maybe one day in your life

You called me in the midnight hour
with your velvet lights
so many sleepless nights, I wonder
is it time to say goodbye?
oooh yeah

One day in your life
said love would remind you
baby
how could you leave it all behind
could you leave it all behind
yeah
one day in your life
it’s gonna find you
with the tears that left me cry
and baby I’m stronger then before
you gotta play it on the line
maybe one day in your life

ooooooooone day

One day in your life
said love would remind you
yeah yeah yeah
how could you leave it all behind
oh oh oh yeah
one day in your life
it’s gonna find you
with the tears that left me cry
and baby I’m stronger then before
you gotta play it on the line
maybe one day in your life


Guns N’Roses Discography and Periods of Band Life

Live ?!*@ Like a Suicide

In December 1986, the band released a four song self-produced EP entitled Live ?!*@ Like a Suicide on their own UZI Suicide label. It opens with bassist Duff McKagan screaming “Hey fuckers, suck on Guns N’ fucking Roses!”.

Designed to gauge public opinion of the band outside of Los Angeles, the record contained covers of Rose Tattoo’s “Nice Boys” and Aerosmith’s “Mama Kin”, along with two original compositions: the punk anthem “Reckless Life” and the classic rock inspired “Move to the City”, both of which were co-written by Hollywood Rose’s founding member Chris Weber. Despite having the look and sound of a live album, band members have admitted that the tracks were actually studio recordings with a live audience overdubbed.

Only 10,000 vinyl copies of the album were produced, and even though the tracks were re-issued verbatim two years later as part of the GN’R Lies EP, the original Live ?!*@ Like a Suicide has been a valuable and sought after collector’s item among fans since the late 1980s.
Rise to fame (1987–89)

Appetite for Destruction

1987’s Appetite for Destruction
The band’s first album, Appetite for Destruction was released on July 21, 1987. In the US, “Welcome to the Jungle” was issued as its first single with an accompanying music video. Initially, the album and single did not perform well, but when Geffen Records founder David Geffen was asked to lend support to the band, he obliged by personally convincing MTV executives to play “Welcome to the Jungle” during their after hours rotation. Even though the video was initially only played one time at 4 a.m. on a Sunday, rock and punk fans took notice and soon began requesting the video and song en masse.
In the United Kingdom, “It’s So Easy” was released prior to the album itself. The band quickly gained popularity through radio airplay and via a rousing performance at London’s famous Marquee Club on June 28, 1987. The 12-inch single for “It’s So Easy” included Marquee Club performances of “Shadow of Your Love” and “Move to the City”.
Overseas, countries were often treated to material that never saw release to the US market, and went unexposed to US fans. The original UK “Welcome to the Jungle” single was backed with the Marquee Club performance of AC/DC’s classic “Whole Lotta Rosie” and a 12-inch single included live renditions of “It’s So Easy” and the Bob Dylan classic “Knockin’ on Heaven’s Door” (which would later be covered by the band in the studio on Use Your Illusion II). In Japan, an entire EP entitled Live from the Jungle was issued, containing the album version of “Sweet Child o’ Mine” and most of the Marquee Club recordings. European and Asian single releases were often accompanied by interviews with Slash or Axl Rose, a common practice in those countries.
The album underwent an artwork change after the original Robert Williams cover design (a surrealist scene in which a dagger-toothed monster vengefully attacks a robot rapist) spawned complaints from religious groups and caused some record stores to brown bag, obscure, or refuse to sell the album. The revised cover was gleaned from a tattoo that Axl Rose had recently commissioned featuring skeleton faces of the five musicians arranged on a cross. Rose later insisted that the Gold and Platinum plaques issued by the RIAA be set using the original cover. The artwork from the original cover can be found in the booklet of the CD release.
“Sweet Child o’ Mine” was the album’s second US single co-written by Axl Rose as a poem for his girlfriend and future wife, Erin Everly. Due to the growing grassroots success of the band and the cross-gender appeal of the tune, the song and its accompanying music video received heavy airplay on both radio and MTV, and became a smash hit during the summer of 1988. “Welcome to the Jungle” was then re-issued as a single, with new pressings of records and tapes and new artwork. The UK re-release was backed with an acoustic version of “You’re Crazy”, recorded much earlier than the one featured on the G N’ R Lies EP.

By the time “Paradise City” and its video reached the airwaves, the band’s touring success and fame had catapulted the album to #1 on the Billboard charts. “Welcome to the Jungle”, “Sweet Child o’ Mine” and “Paradise City” were all top ten singles in the U.S. To date, Appetite for Destruction has sold over 26 million copies.

Touring success and controversy

Guns N’ Roses began opening shows for major acts, but as their fame began to take hold, a world tour in support of Appetite for Destruction was scheduled. The band traveled across the United States, and in spring 1988 were invited to the notorious Monsters of Rock Festival at Castle Donington in Leicestershire, England, where they shared the bill with groups like KISS and Iron Maiden. At the start of the Guns N’ Roses set, the capacity crowd of over 100,000 began jumping and surging forward. Despite Axl Rose’s requests that the crowd move away from the stage, two fans were trampled to death. The media largely blamed the band for the tragedy, and reported that the band had continued playing even when there were dangerous crowd conditions. In fact, the final report on the Donington incident filed by the head of security at the venue noted that the band had not been aware of the extent of fan injuries, had immediately halted their set when requested to do so, and had attempted to calm the crowd.[10] Nonetheless, events such as these during the Appetite for Destruction tour earned the group the title of “the world’s most dangerous band”.

In addition, the behavior of the band members also garnered negative attention from the media. McKagan, Slash, Stradlin and Adler were often seen intoxicated both on and off stage. Members of the crew at the time stated that Slash often had to be carried onstage by a group of people and would sometimes pass out after the concert ended. When touring in England in 1987, the bandmembers were treated poorly by the press with Slash being referred to as “Slosh”, “Slug” and “Slush”. Also during this tour, the band recorded five of the six songs that would be released on their live album simply entitled EP, better known as Live from the Jungle. Ironically, the track “Welcome to the Jungle” does not appear in the track listing. Released in 1987, the album never attracted much attention, mostly because it was only released in Japan and also because their full-scale album Appetite for Destruction was released around the same time.

GN’R Lies

The band’s next release was the G N’ R Lies EP in 1988, which reached #2 in the Billboard music charts. The album included the four Live ?!*@ Like a Suicide recordings on one side and four acoustic songs on the other. The song “One in a Million”, which included the words “niggers” and “faggots” among other such profanities, led to controversy in which critics accused the band, and specifically Axl Rose, of racism and homophobia. Rose responded by saying the claims were unfounded, particularly considering Slash himself is half black. He stated that by the term “nigger” he was referring to low-lifes in general and did not mean to offend anyone from a specific country or of a specific racial heritage. He went on to explain that the song reflected racial and prejudicial problems within society, rather than promoting them. Rose also cited that he idolized gay singers like Freddie Mercury and Elton John. The band had played gigs alongside the all-black group Body Count, and lead singer Ice-T said in his book The Ice Opinion that Axl had been “a victim of the press the same way I am”.
After the release of GN’R Lies, Slash and McKagan appeared on the nationally televised American Music Awards, visibly intoxicated and using profanities. Geffen Records executives asked the band to curtail their behavior. The members finally took steps to deal with their addictions after Rose threatened to end the band if they continued with their heavy drug abuse. He even spoke publicly about the situation, specifically the heroin addictions, while opening for The Rolling Stones at the Los Angeles Memorial Coliseum in 1990.
Fame and fortune (1990–93)

Use Your Illusion

In 1990, Guns N’ Roses returned to the studio to begin recording their most ambitious undertaking yet. During the recording session of “Civil War”, drummer Steven Adler was unable to perform well due to his struggles with cocaine and heroin addiction. While the band had played “Civil War” with Adler live once with no problems, his difficulties in the studio caused the band to do nearly 30 takes.[13] As a result, Adler was fired in July 1990, and was replaced by former Cult drummer Matt Sorum. A few months prior, keyboardist Dizzy Reed became the sixth member of the group when he joined as a full time member. The band fired their manager, Alan Niven, in May 1991, replacing him with Doug Goldstein. According to a 1991 cover story by Rolling Stone magazine, Rose forced the dismissal of Niven (against the wishes of some of his bandmates) by refusing to complete the albums until he was replaced.[14]
With enough music for two albums, the band released Use Your Illusion I and Use Your Illusion II on September 17, 1991. The tactic paid off when the albums debuted at #2 and #1 respectively in the Billboard charts, setting a record as they became the first and only group to date to achieve this feat. The albums spent 108 weeks in the chart.
Both prior to and after the release of the albums, Guns N’ Roses embarked on the 28-month-long Use Your Illusion World Tour to support them. It became famous for both its financial success and the many controversial incidents that occurred at the shows.

Use Your Illusion World Tour

The tour included a Slash guitar solo incorporating The Godfather theme, a piano driven Axl Rose cover of “It’s Alright” by Black Sabbath and an extended jam on the classic rock inspired “Move to the City” where Rose showcased the ensemble of musicians assembled for the tour.
Many of the successful performances during the tour were equally matched, and often overshadowed in the press, by riots, late starts and outspoken rants by Rose. While the band’s previous drug and alcohol issues were seemingly under control, Axl was often agitated by lax security, sound problems and unwanted filming or recording of the performances. He also used the time in between songs to fire off political statements or retorts against music critics or celebrity rivals.

On July 2, 1991, at the Riverport Amphitheater in Maryland Heights, Missouri, just outside of St. Louis during a performance of “Rocket Queen”, Rose jumped into the audience and tackled a fan who was recording the show with a video camera. After being pulled out of the audience by members of the crew, Rose said: “Well, thanks to the lame-ass security, I’m going home!”, slammed his microphone on the ground and left the stage. The sound the microphone made caused some fans to think he shot someone, so Slash quickly told the audience, “He just slammed his mic on the floor. We’re outta here.” The angry crowd began to riot and dozens of people were injured. The footage was captured by Robert John, who was documenting the entire tour for the band. Rose was charged with having incited the riot, but police were unable to arrest him until almost a year later, as the band went overseas to continue the tour. Charges were filed against Rose but a judge ruled that he did not directly incite the riot. In his defense, Rose stated that the Guns N’ Roses security team had made four separate requests to the venue’s security staff to remove the camera, all of which were ignored, that other members of the band had reported being hit by bottles from the audience and that the venue’s security had been lax, allowing weapons into the arena and refusing to enforce a drinking limit. Consequently, Use Your Illusion’s artwork featured a hidden message amidst the Thank You section of the album insert: “Fuck You, St. Louis!”

During this time, rhythm guitarist Izzy Stradlin quit the band due to differences with both Rose and Slash. He was replaced by Los Angeles based guitarist Gilby Clarke. During many shows throughout the tour, Rose introduced Clarke and had him play “Wild Horses”, a Rolling Stones cover. In late 1991, Rose added a touring ensemble to the band which included a horns section and several background vocalists.

In 1992, the band appeared at the Freddie Mercury Tribute Concert, performing a two song set. Slash later performed Tie Your Mother Down with the remaining members of Queen, while Axl Rose performed We Will Rock You and duetted with Elton John on Bohemian Rhapsody. When they returned to the U.S. for the second leg of the Use Your Illusion tour, Queen guitarist Brian May opened the shows with a band that included Cozy Powell on drums.

Later in the year they went on the mini-GNR-Metallica Stadium Tour with American heavy metal band Metallica. During a show in August 1992 at [[Madison Square Gardens], Metallica frontman James Hetfield suffered severe burns after stepping too close to a pyrotechnics blast. Metallica was forced to cancel the second hour of the show, but promised to return to the city for another show. After a long delay, during which the audience became increasingly restless, Guns N’ Roses took the stage. However, the shortened time between sets did not allow for adequate tuning of stage monitors, resulting in musicians not being able to hear themselves. In addition, Rose claimed that his throat hurt, causing the band to leave the stage early. The cancellation led to another riot by audience members, reminiscent of the rioting that had occurred in St. Louis one year earlier. Rioters overturned cars, smashed windows, looted local stores and set fires. Local authorities were barely able to bring the mob under control. This can be seen on video in A Year and a Half in the Life of Metallica.

The Use Your Illusion Tour is also notable for the many videos the band released to support it, including “Don’t Cry”, “November Rain” and “Estranged” - some of the most expensive music videos ever made. The hit ballad “November Rain” became the most requested video on MTV, eventually winning the 1992 MTV Video Music Award for best cinematography. During the awards show, the band performed the song with Elton John accompanying on piano.
In May 1993, Gilby Clarke broke his wrist in a motorcycling accident and the band needed a replacement for some dates in Europe. Izzy Stradlin returned briefly for a string of five shows.
The historic tour ended in Buenos Aires, Argentina, on July 17, 1993. The tour set attendance records and lasted for 28 months, in which more than 200 shows were played. The show in Buenos Aires marked the last time original members Slash and McKagan as well as newcomers Clarke and Sorum would play a live show with Rose.

The Spaghetti Incident?

On November 23, 1993, Guns N’ Roses released a collection of punk and glam rock covers entitled “The Spaghetti Incident?”. Despite protests from Rose’s bandmates, an unadvertised cover of the Charles Manson song “Look at Your Game Girl” was included on the album at his request. Years later, Rose said he would remove the song from new pressings of the album, claiming that critics and the media had misinterpreted his interest in Manson. However, as of 2007, the song is still on the album. The Spaghetti Incident? did not match the success of the Illusion albums and tension increased within the band.

Decline (1994–98)

Axl Rose began work on a new album of original material in 1993, writing a song called “This I Love”. The album’s producer was supposedly Mike Clink. Nothing came out of the rumors, and Guns N’ Roses remained on hiatus. In 1994, Gilby Clarke was released from the band as Axl felt his songwriting skills were inadequate for their future projects. That same year, a cover version of The Rolling Stones’s “Sympathy for the Devil” was recorded for the movie Interview with the Vampire. The addition of Axl’s friend Paul Tobias in place of Clarke did not sit well with remaining band members. During recording, Tobias recorded an echo of Slash’s solo at Axl’s request. Slash was infuriated when he heard the song’s final mix and discovered that Tobias’ guitar had been placed on top of his.

In early 1995, Ozzy Osbourne guitarist Zakk Wylde told Kerrang that he had joined the band for a week’s worth of rehearsal and jamming on Rose’s personal request. While Wylde considered the experience as a highly positive one, he was ultimately frustrated by the time consuming contract negotiations, opting to go into the studio with Osbourne.

Slash then drifted in and out of the band for the next year or so, beginning a side project called Slash’s Snakepit. In August 1996, the band regrouped with Rose temporarily acting as the rhythm guitarist. At the time, Sorum hinted that the band were considering a new, unknown player for the slot, possibly referring to Paul Tobias. After two weeks of jamming and song writing, McKagan and Sorum began touring with their sideproject, Neurotic Outsiders, returning to work with Rose and Slash mid-tour for a week in early September. After that, Slash and Rose were left alone to continue working. The guitarist commented on the situation in October, saying “I have only been back in the band for three weeks and my relationship with Axl right now is sort of at a stand still.” A few weeks later, Rose announced Slash was no longer a part of the band.

Slash was replaced by former Nine Inch Nails guitarist Robin Finck. The next year, Sorum was fired from the group following a verbal dispute with Rose regarding negative comments Paul Tobias had made about Slash. In mid 1997, McKagan opted out of his contract and officially left the band in early 1998. This left Rose as the only remaining member from the groups heyday. Slash, McKagan and Sorum later formed rock supergroup Velvet Revolver with former Stone Temple Pilots frontman Scott Weiland and guitarist Dave Kushner. They released their first CD, Contraband, in 2004, to a good reception.

In 1998, Axl formally returned to the studio accompanied by guitarist Robin Finck, rhythm guitarist Paul Tobias, bassist Tommy Stinson (formerly of The Replacements), drummer Josh Freese (of The Vandals), keyboardist Dizzy Reed and effects man Chris Pitman. In that same year, the clean (i.e. any profanity removed) compilation album Use Your Illusion was released (in the USA only), mainly so the album could be sold in Wal-Mart and K-Mart stores.

Chinese Democracy (1999–)
In 1999, the band released one new song, “Oh My God”, which was included on the soundtrack of the film End of Days. The track featured additional guitar work by Dave Navarro and Gary Sunshine, Rose’s personal guitar teacher. The song’s release was intended to be a prelude to their new album, now officially entitled Chinese Democracy. Geffen also released Live Era: ‘87-’93, a collection of live performances from various concerts during the Appetite for Destruction and Use Your Illusion tours. Also in 1999, during an interview with Kurt Loder for MTV, Axl said that he had re-recorded Appetite for Destruction with the then-new band, apart from two songs which he had replaced with “Patience” and “You Could Be Mine”.

In 1999, guitarist Robin Finck departed the band in order to rejoin his former band, Nine Inch Nails, on tour. In 2000, avant-garde guitarist Buckethead joined Guns N’ Roses as a replacement for Finck. Drummer Josh Freese was replaced with Bryan Mantia (formerly of Primus). Robin Finck returned to Guns N’ Roses in late 2000, to complement Buckethead on lead guitar

Evanesence - Bring Me to Life - Video Clip and Lyrics


How can you see into my eyes?
Like open doors
Leading you down into my core
Where I’ve become so numb
Without a soul
My spirit’s sleeping somewhere cold
Until you find it there and lead it back home

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
Call my name and save me from the dark
(Wake me up)
Bring my blood to run
(I can’t wake up)
Before I come undone
(Save me)
Save me from the nothing I’ve become

Now that I know what I’m without you cant just leave me
Breathe into me and make me real
Bring me to life

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
Call my name and save me from the dark
(Wake me up)
Bring my blood to run
(I can’t wake up)
Before I come undone
(Save me)
Save me from the nothing I’ve become
Bring me to life
(I’ve been living a lie, there’s your flame inside)
Bring me to life

Frozen inside without your touch
Without your love darling
Only you are the life among the dead

All this time I can’t believe I couldn’t see
Kept in the dark while you were there in front of me
I’ve been sleeping a thousand years it seems
Got to open my eyes to everything
Without a thought, without a voice, without a soul
Don’t let me die here there must be something more
Bring me to life

(Wake me up)
Wake me up inside
(I can’t wake up)
Wake me up inside
(Save me)
Call my name and save me from the dark
(Wake me up)
Bring my blood to run
(I can’t wake up)
Before I come undone
(Save me)
Save me from the nothing I’ve become
Bring me to life
(I’ve been living a lie, there’s your flame inside)
Bring me to life


A living Japanese life philosophy from the middle ages - Bushido


Bushido, exactly translated “Way of the Warrior,” developed in Japan between the Heian and Tokugawa Ages (9th-12th century). It was a code and way of life for Samurai, a class of warriors same like the knights form middle ages of Europe. The philosophies came from Zen and Confucianism, which are two different schools of thought of those ages. Bushido is not different the chivalry and codes of the European knights. “It puts emphasis on loyalty, self sacrifice, justice, sense of shame, refined manners, purity, modesty, frugality, martial spirit, honor and affection” (Nippon Steel Human Resources Development Co., Ltd. 329)

Where came these philosophie

Bushido comes out of Buddhism, Zen, Confucianism, and Shintoism. The mixture of these schools of thought and religions has shaped the code of warrior values known as Bushido.

From Buddhism, Bushido gets its connection to danger and death. The samurai don’t fear death because they trust as Buddhism teaches, after death one will be reincarnated and may live another life here on world. The samurai are fighters from the time they become samurai until their death; they have no fear of danger. Through Zen, a school of Buddhism one can reach the ultimate “Absolute.” Zen meditation teaches one to focus and reach a level of thought words cannot describe. Zen teaches one to “know thyself” and don’ to limit yourself. Samurai used this as a tool to force out fear, instability and ultimately mistakes. These things could get him killed.

Shintoism, another Japanese religion or philosophy, gives Bushido its loyalty and patriotism. Shintoism includes ancestor-worship which makes the Imperial family the fountain-head of the whole nation. It awards the emperor a god-like reverence. He is the incarnation of Heaven on earth. With such loyalty, the samurai pledge themselves to the emperor and their daimyo or feudal landlords, higher position samurai. Shintoism also provides the backbone for patriotism to their country, Japan. They know the land is not just there for their needs, “it is the sacred abode to the gods, the spirits of their forefathers . . .” (Nitobe, 14). The land is cared for, protected and nurtured through an intense patriotism.

Confucianism gives Bushido its beliefs in relationships with the human world, their environment and family. Confucianism’s stress on the five moral relations between master and servant, father and son, husband and wife, older and younger brother, and friend and friend, are what the samurai follow. However, the samurai do not aceppt strongly with many of the writings of Confucius. They thought that man shouldn’t sit and read books whole day, nor shall he write poems all day. Instead, Bushido believes man and the universe were made to be alike in both the spirit and ethics.
Along with these virtues, Bushido also holds justice, integrity, benevolence, love, honesty, sincerity, and self-control in highest respect. Justice is one of the main factors in the code of the samurai. Curved ways and unjust actions are thought to be poor and inhumane. Love and benevolence were supreme virtues and princely acts. Samurai followed a specific etiquette in every day life as well as in war. Sincerity and honesty were as valued as their lives. Bushi no ichi-gon, or “the word of a samurai,” transcends a pact of complete faithfulness and trust. With such pacts there was no need for a written pledge; it was thought beneath one’s dignity. The samurai also needed self-control and stoicism to be fully honored. He showed no sign of pain or joy. He endured all within no groans, no crying. He held a calmness of behavior and composure of the mind neither of which should be bothered by passion of any kind. He was a true and complete warrior.

These factors which make up Bushido were few and simple. Though simple, Bushido created a way of life that was to nurture a nation through its most problematic times, through civil wars, depression and uncertainty. “The wholesome unsophisticated nature of our warrior ancestors derived ample food for their spirit from a sheaf of commonplace and fragmentary teachings, gleaned as it were on the highways and byways of ancient thought, and, stimulated by the demands of the age formed from these gleanings a new and unique way of life” (Nitobe, 20).